艾丽萨·艾拉帕
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导演:
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P·J·霍根
剧情:
居住在美国纽约丽贝卡·布鲁姆伍德(艾拉·菲舍尔 Isla Fisher 饰)是一家庭园杂志的记者,在这个繁花渐欲迷人眼的国际大都市,这个美丽女孩漫无边际的购物欲望得到极大宣泄,不实用的服饰源源不断运回家。然而硬币的另一面,却是由此导致的债台高筑。糟糕的财务状况让她的生活一团糟,虽然试图戒掉购物瘾,不过最终都在心仪的商品之前败下阵来。另一方面,丽贝卡希望进入梦寐以求的阿列特杂志供职,阴差阳错进入了该杂志旗下的一个财经杂志编辑部。对理财一窍不通的她偶尔写了一篇角度新颖的投资文章,受到了读者和业内的好评,甚至爱情也随即降临。不过谎言总有拆穿的一天,更何况还有那沉重如山的债务摆在眼前……本片根据英国作家索菲·金塞拉(Sophie Kinsella)的“购物狂”系列作品改编。
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菲利普·拉肖
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因为种种原因经营不善的借口公司倒闭了,在公司倒闭后,格雷格的生活一直很平静。他按部就班的过着正常人的生活,与女友感情也十分稳定。但这样的日子随着格雷格决定向女友弗洛求婚而改变了。因为格雷格不得不把女友介绍给他奸诈的父亲和前演员母亲。因为担心自己的父母会搅黄自己的姻缘,别无选择,格雷格开始实施一个大胆的计划。他重新经营了自己的借口公司并招募了演员来扮演自己的父母企图骗过女友。起初事情很顺利,女友也认为格雷格的家庭十分妥帖,然而随着接触时间越来越长,假的父母终究还是露出了不少马脚,这中间发生了一系列啼笑皆非的事情。最终,真相败露,格雷格将自己的担心告知女友,用真心打动了女友重回于好,也鼓起勇气带女友见了自己的父母,成就了姻缘。
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马滕·穆尔凯尔克,拉夫·林特因斯
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Returning for an extended duration of eight episodes, Patience (Ella Maisy Purvis) will continue her work in the police criminal records department of City of York Police after establishing herself as an invaluable member of the team, bringing her unique insight into a series of perplexing cases. However, when a new boss, Detective Frankie Monroe (Jessica Hynes) brings a very different management style, it proves tricky for them both to navigate. Love is also in the air in this series as Patience begins a relationship with a work colleague Elliot and the police department gets a makeover with the arrival of a new PR consultant all whilst tackling intriguing crimes in extraordinary settings such as York Minster.
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罗伯特·艾格斯
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故事发生在17世纪30年代的新英格兰,由于无法苟同教会的做法,虔诚的清教徒威廉(拉尔夫·尹爱森 Ralph Ineson 饰)遭到种植园的驱逐,被迫带着妻子凯瑟琳(凯特·迪基 Kate Dickie 饰)和一众儿女远迁来到一处荒芜所在。他们白手起家,历经艰辛,而尚在襁褓 中的儿子意外失踪则令一家人的心头蒙上挥之不去的阴影。天气恶劣,作物歉收,夫妻二人的关系陷入紧张,凯瑟琳心念下落不明的孩子,精神近于崩溃。在此期间,自感对孩子失踪负有主要责任的长女托马辛(安雅·泰勒-乔伊 Anya Taylor-Joy 饰)心情沉重,此后不久,大弟凯勒布(哈维·斯克林肖 Harvey Scrimshaw 饰)在丛林深处遭遇女巫,心智错乱。 一家人的生活彻底陷入混乱,他们能否在信仰中得到救赎
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迈克尔·珊农
剧情:
Michael Shannon directs an adaptation of Brett Neveu’s 2002 play about a mother coping with the fallout after her son murders three of his high school classmates. Janice (Judy Greer) is struggling; she moves through life as if in a haze, unable to let go of her anger and frustration. While her husband (Alexander Skarsgård) has found refuge at a new church, Janice finds it hard to seek solace in her faith despite her pastor’s pleas to heal her wounds by meeting with the mothers of her son’s victims. As Janice ponders what that meeting could achieve for her and her community, Eric LaRue asks audiences to witness the frayed emotional ripples that violent acts can engender. Anchored by Greer’s deeply arresting performance, Shannon’s directorial debut grapples head-on with frustratingly timely conversations about who deserves our compassion and grace. Standout supporting turns by Tracy Letts and Alison Pill, who capture a subtly unnerving vision of spiritual fanaticism, stress the film's interest in complicating facile views of atonement and forgiveness in light of such tragedies.






























